Kill the King, Crown the Witches

(via farrahfuckingflawless)

Source: irritationknot

thelandlockedmariner:

I love this

(via charmaineolivia)

Source: age-sex-location

kissing-beehives:

this is one of my favorite things ever

Source: abandonedography

(via sadb0ner)

Source: seapuke

“I went to the woods because I wanted to live deliberately. I wanted to live deep and suck out all the marrow of life.”-Henry David Thoreau

“I went to the woods because I wanted to live deliberately. I wanted to live deep and suck out all the marrow of life.”
-Henry David Thoreau

(via kissing-beehives)

Source:

(via 3nfp)

Source: Flickr / whyeye

weareallprostitutesandjunkies:

Frida Kahlo and her pet deer, Granizo, 1939, photograph by Nickolas Muray

(via tragicallydelicious)

Source: weareallprostitutesandjunkies

blisslilith:

Bear and Vodka

aww

(via garff)

Source: dormio

ocn:

Sigalit Landau, Barbed Hula, 2000 / Single-channel video / 1 minutes, 52 seconds, loop
“This act of desensitization - spinning a hula hoop of barbed wire - I performed at sunrise on a southern beach of Tel-Aviv, where fishermen and old people come to start their day and exercise. The beach is the only calm and natural border Israel has. Danger is generated from history into life and into the body. In this video loop I am performing a hula belly dance. This is a personal and senso-political act concerned with invisible, sub-skin borders, surrounding the body actively and endlessly.All my work relates, in one way or another, to a loss of orientation. The pain here is escaped by the speed of the act, and the fact that the spikes of the barbed wire are mostly turned outwards.”

ocn:

Sigalit Landau, Barbed Hula, 2000 / Single-channel video / 1 minutes, 52 seconds, loop

“This act of desensitization - spinning a hula hoop of barbed wire - I performed at sunrise on a southern beach of Tel-Aviv, where fishermen and old people come to start their day and exercise. The beach is the only calm and natural border Israel has. Danger is generated from history into life and into the body. In this video loop I am performing a hula belly dance. This is a personal and senso-political act concerned with invisible, sub-skin borders, surrounding the body actively and endlessly.
All my work relates, in one way or another, to a loss of orientation. The pain here is escaped by the speed of the act, and the fact that the spikes of the barbed wire are mostly turned outwards.”

(via garff)

Source: ocn